I loved this article by Tina Fey in the New Yorker. Of course, if you don't subscribe to the New Yorker, you'll just get the abstract, but it's enough to get the feel of the article. (And for just how wickedly funny she is.) I subscribe to the New Yorker, but as a constant juggler (and constant "hurrier"), I left mine on a bus. (This problem, at least, will presumably go away once I get my Nook Color. Although I suspect I'll forget to charge it and will be left with a 1 pound brick in my bag.) Luckily, Melissa Silverstein pointed out the article in her blog, Women & Hollywood. And because I am a subscriber (missing magazine notwithstanding), I was able to create an account and read the digital form for free.
It's refreshing to see someone in Hollywood talk about the realities of combining career and motherhood. It does have an impact. I remember the conversations about motherhood going around when I was in my 20's - when to have kids - better to have them while you're young at the beginning of your career? Or wait until you're well established and have more power to call the shots? None of it is easy. I came to filmmaking late (meaning I didn't start in utero, like a lot of indie filmmakers these days.) I waited years to make my first short. Then I had kids. It kind of put a damper on my ability to work production jobs, where a 12-hour-day is considered short. And working production is how you meet people that you want to work with. Still, I would do it again. I have a lot of friends in the indie world who are single, unattached and live for filming. I chose to have a family. It makes doing anything harder and everything takes longer, but it makes everything worth doing in the first place.
